New Jersey punk legends The Bouncing Souls are celebrating three decades in the scene with new versions of songs from across their extensive back catalogue.Continue reading “The Bouncing Souls are back!”
There’s a striking start to track 1 as Thin waltzes in and out of a delicate falsetto over drum brushes, soaring backing vocals, and Henry Senior (our favourite Champion of The World) on pedal steel. There’s a simultaneous sense of personal specificity and emotional expansiveness reminiscent of Jason Isbell.Continue reading “Album Review: Our Man In The Field – The Company of Strangers”
“I’m sure you know the story: record deal early, some modicum of success, and then the long slow descent and destruction. Jail, rehab, fortunate enough to be alive, man.”Michael McDermott
McDermott explodes out of the gate with a title track that’s a modern-day retelling of We Didn’t Start The Fire: “it’s new world order/walls along the border/kids in cages/executive order/welfare for billionaires/people hungry everywhere…I think it’s time we take a good look in the mirror/what in the world is happening here?” It’d surely be something special to see him perform this jet-fuelled tongue twister live. There’s an acoustic demo version as a bonus track.
“I was walking down a crowded street one night and suddenly I realized I might like being alone/I might have read a few psychosemantic expert books/I once passed a science test a took/so I think I’ll be alright on my own.” Well, have I got a pandemic for you! Everything comes across like a tongue-in-cheek kids song celebrating introversion and self-reliance – although the f-bomb is fairly adult, of course!
A whalesound song and a beat halts for an a capella interlude: “I was in Berlin on the anniversary of some forsaken tragedy/shadows of my past.” The instrumentation builds back up as he relates taking in the scene while taking in the advice of a loved one. Given the setting, “tear down the walls” is more than a metaphor as he embraces a new normal of coming to terms with the past and the persistence of memory.Continue reading “Album Review: Ben Kunder – Searching For The Stranger”
Nicole Atkins recorded Italian Ice at Muscle Shoals Sound Studio with some of her “best musical friends,” including Britt Daniel, John Paul White and members of The Bad Seeds. Intrigued already?
AM Gold hits with an easy listening vibe and girl gang harmonies. The gloves are off: “don’t get stuck in the mirror cuz that shit’s rough.” Atkins rejects religious comfort in favour of the primacy of people and music.
Mind Eraser is bassy and whisper sung. It soon takes an interesting turn, for the chorus follows siren synths piling up to a melodic cacophony.
Domino strides in with discordant tones using a funk beat and a sultry vocal reminiscent of Juanita Stein. The falling domino motif adorns the album cover but a dominant metaphor in the song is passage of time.
Dorothy Daniel’s voice is clearly going to be the star of this show; all bluesy and resonant, backed by swampy guitar. However, we get more of a compelling sound and a feeling than a complex narrative.
A synth piece explodes into a ringing, repeated exclamation: “I Can If You Want Me To.” The pace picks up; he’s certain and ready.
The follow-up keeps the discordancy but loses the need for a relationship: “It’s only me/there’s no-one else.” A disco fill pushes the subject from wasted to ready. There’s time to question the moon landing and aging, but we always return to the mantra “it’s Good To Be Alive.”Continue reading “Album Review: Brendan Benson – Dear Life”
If you had any familiarity with the 90s rock scene, the name Soul Asylum should ring all sorts of bells. Need a reminder? Runaway Train won a Grammy for Best Rock Song in 1994. All together now: “Runaway train never going back/wrong way on a one way track…”Continue reading “Album Review: Soul Asylum – Hurry Up and Wait”
The Adults Are Talking starts out as something of an EDM banger before the familiar bass lines kicks in to reassure us that The Strokes are back. Julian Casablancas’ vocal is tender and compelling. The vox effects are restrained until the chorus explodes, taking us back to the fire of the band’s early days. This five minute opener keeps up the pace towards a falsetto interlude. It’s a pleasing mix of familiarity and musical experimentation.Continue reading “Album Review: The Strokes – The New Abnormal”